Friday, 20 May 2011
Sunday, 10 April 2011
Serendipity Opening Sequence Analysis
Serendipity is a 2001 romantic comedy starring John Cusack and Kate Beckinsale. This was mainly popular amongst adults due to its' intensity of romance. Also the romance element was between 2 adults which makes this less relatable for youngsters and teenagers.
It immediately begins with a jumpy, happy song whilst the credits are occurring and the setting is being introduced. The music is very classical which allows it to be aimed at the targeted audience - adults. The opening sequence seems to last for 4 minutes and 19 seconds which is longer than what I have seen so far compared to others. Since it is longer than usual, it comes back to the genre - romantic comedy. This is because, longer opening sequences allow the extract to move at a gradual pace, decreasing the tension level. A number of basic, simple camera shots are used. This is because, in movies with similar genre to this, it is mainly about what you see in the screen in order to know what is happening. Everything in the frame is essential. Whereas, in horrors, they have many shots where it is oblivious to who and what is in the frame. This happens to enhance on the suspense. As the credits finish and it starts immediately in a shop, the 2 main characters are obviously shown as them 2 bump into each other wanting to buy the same item. The viewers instantaneously know that the love affair will be with these 2 later on in the film. As the opening sequence comes to an end, a restaurant called 'Serendipity' is shown. This answers the question to the viewers of why the movie is called this - it is obviously related to this shop. Viewers will now want to watch on to find out why the restaurant is crucial.
Crane Shot
A crane shot is a shot taken using a camera on a crane. A crane is large, heavy piece of equipment which allows the camera to move up, down, left, right, diving in on action or moving diagonally away from it. The common ways of using crane shots are to view the actors from above, to move up and away from them or a subject - a popular way to end a movie. Most cranes work automatically for the camera and the operator but some can be manual which operate by remote control. These are usually seen in enthralling and emotional scenes.
Panning Shot
This is an example of a panning/pan shot. Panning shot can be done as still photography as well as a video. In video, it is to scan a subject horizontally using the camera.
In photography, panning is used to insinuate fast motion, and highlight the subject from other elements in the frame.
Feedback from Class
When getting feedback from the class, we handed out an audience feedback sheet for them to fill out whilst watching the extract. There were a few questions on there which they answered and helped us to see their point of view. Many of the sheets we reviewed showed a pattern - there was a trend between the answers. We evaluated all the answers and gathered the results into the most common answers:
1) What was good about the film?
* There was good camerawork from different angles and perspectives.
* Good plot development through the character - easily understandable.
* The protagonist acted well and genuinely looked lost when needed - she portrayed her character well.
2) Who do you think the target audience is?
* Some thought it was aimed at teenagers whereas others thought it was aimed for adults.However, the most common one they all agreed on was young adults.
* Aimed at people who enjoy horror which meant that they all grasped the genre.
3) Did you notice any serious issues such as continuity errors, strange edits - Did anything not make sense to you?
* It was predictable.
* Not enough shots of the protagonists' reaction.
* Did not make sense at times - when the girl is walking into the forest, there is a shot of her walking into the deep forest, however the next shot involves her walking on a pathway. This was due to the various continuity errors towards the end of the extract. Shaky at parts.
* No suspense built - lack of editing at this point; sound needed for enhancement.
* Needs a lot of editing and re-ordering of shots.
1) What was good about the film?
* There was good camerawork from different angles and perspectives.
* Good plot development through the character - easily understandable.
* The protagonist acted well and genuinely looked lost when needed - she portrayed her character well.
2) Who do you think the target audience is?
* Some thought it was aimed at teenagers whereas others thought it was aimed for adults.However, the most common one they all agreed on was young adults.
* Aimed at people who enjoy horror which meant that they all grasped the genre.
3) Did you notice any serious issues such as continuity errors, strange edits - Did anything not make sense to you?
* It was predictable.
* Not enough shots of the protagonists' reaction.
* Did not make sense at times - when the girl is walking into the forest, there is a shot of her walking into the deep forest, however the next shot involves her walking on a pathway. This was due to the various continuity errors towards the end of the extract. Shaky at parts.
* No suspense built - lack of editing at this point; sound needed for enhancement.
* Needs a lot of editing and re-ordering of shots.
Feedback from Mrs Thrasher and Miss Kasam - Showcase
We had a showcase in which we had to present our opening sequence to the class and our teachers. This helped us to improve on things we may not have noticed ourselves. They watched it, evaluated it and then told us constructive criticisms in which we would benefit from.
Mrs Thrasher and Miss Kasam both thoroughly enjoyed the wide range of shots we used in our opening sequence. One of Mrs Thrasher's favourite shots was when the protagonist jumps over the water puddle. She said it was shot very well. She also enjoyed the heavy breathing of the killer as his face was not visible, generating a more mysterious atmosphere. It was diegetic sound which related back to the genre.
The criticisms she claimed were that it dragged on towards the end when there was allegedly supposed to be a chase between the protagonist and the killer. It made it into a whole story rather than just an opening sequence. Opening sequences are intentionally supposed to end on a cliffhanger. As a result, the viewers want to watch the rest of the film. However, ours did not end on a question. Therefore, we edited it and cut off the ending and redone some of the ending to make it more understandable. Also, when we presented it, there was no music in there which made it boring at times to watch. She said that it is crucial to have music in there to make it more effectively frightening.
Mrs Thrasher and Miss Kasam both thoroughly enjoyed the wide range of shots we used in our opening sequence. One of Mrs Thrasher's favourite shots was when the protagonist jumps over the water puddle. She said it was shot very well. She also enjoyed the heavy breathing of the killer as his face was not visible, generating a more mysterious atmosphere. It was diegetic sound which related back to the genre.
The criticisms she claimed were that it dragged on towards the end when there was allegedly supposed to be a chase between the protagonist and the killer. It made it into a whole story rather than just an opening sequence. Opening sequences are intentionally supposed to end on a cliffhanger. As a result, the viewers want to watch the rest of the film. However, ours did not end on a question. Therefore, we edited it and cut off the ending and redone some of the ending to make it more understandable. Also, when we presented it, there was no music in there which made it boring at times to watch. She said that it is crucial to have music in there to make it more effectively frightening.
Saturday, 9 April 2011
Tracking Shot
A tracking shot smoothly follows the action being represented. This usually happens with the camera running on a track. In this example, the camera is following the 2 bicyclists as they cycle on the road.
Tracking shots are useful to emphasise on the movement, or even emphasise on the location.
Establishing Shot
An establishing shot in TV/films, sets up the core context of the scene to emphasise its' importance. In this example, it is establishing the fast moving sky and the rocky mountains.
Horror Shot
Denotation:
Long black hair, backcombed: This gives a very dark and mysterious look to emphasise on the character's personality. Having the hair slightly messy at the top gives a psychotic look.
Red lips with fake blood coming down the lip on the left: This enhances on the evilness. This almost creates a story behind it - the signs of blood shows she has obviously done something demeaning and the red lips emphasise on this aswell.
Face and body edited extra white: This gives the character a more ghostly, surreal and an immortal look.
Overdone black on eyes: Making her look malicious. The overdone of black make-up on the eyes helps to accentuate them so they become the key thing in the picture.
The black shirt: This is worn to emphasise on the black and white theme.
No facial expression, simply just looking straight into the camera with beaming eyes: This makes it seem as if she is a psychopath, as she casually has blood coming out her mouth.
It is slightly tilted: This makes it seem more blunt and 'in your face' because in order to tilt it, it cropped off some of the top and bottom making the character more obvious.
There were no problems in taking this photo as it was taken from a computer, thus I did not need to hold the camera. This would have wasted time as I would have had to adjust and hold the camera correctly in position. I did not want to go too overboard in the way I take the picture. I thought it would be better if I took a simple photo and edited it to make it look scary. This was so I didn't end up making it look typically predictable and 'cheesy.' I also thought this would help to make it more effective.
Initially I wanted everything to be black and white except the lips. I wanted the lips and the fake blood coming out the mouth to stay red. However, I could not get this to work due to the lack of equipment. I was going to make the edges blurred and maybe crop half of my body and face off, but when I done it, it did not look as good as I expected. Therefore, I kept it like this.
I believe my image is effective for its' aim - horror. This is through the colour of the photo, the hair & make-up, the slightly lowered face which made the eyes more prominent and the blood coming out the mouth (which is not as visible unfortunately).
Thursday, 7 April 2011
The Grudge 2 Opening Sequence Analysis
The Grudge 2 was released in North America on October 13th 2006 as a sequel to the 2004 American horror film - The Grudge. The Grudge was a remake of a famous film called Ju-on, however, the sequel is not. It was pushed forward a week from the original October 20th release date. The film was released in the UK on October 20th and in Australia on October 26, 2006.
I will be analysing the opening sequence which is the first 2 minutes and 19 seconds. As it starts and they are showing who the creators are (columbia and ghost house pictures), there is daunting music in the background. This immediately gives the film a head start to its' genre. What I found most interesting, and wanted to do something like that for our opening sequence, was the way they edited 'columbia's' credits. They made the woman turn into the evil character in the film. They also turned the word 'columbia' into 'the grudge 2' changing the font to make it more spookier. They used a range of edits to enhance on the visibility of the genre, for example the flickering of the lights as the woman transforms into the grudge.
Once the film has begun, it starts off with a few slides, each saying something different. As it fades into the next slide, a word is kept at the end and turns red to emphasise on it, e.g curse.
The low angle shot of the flats, which showed bare tree's and all you could hear were crows. This made it have a very suspense and cautious atmosphere. The main character does not have any dialect - this helps to keep her character in suspense and make the audience want to watch on. The opening sequence ends with her casually drinking tea while her husband is suffering on the floor. This makes her seem quite psychotic, adding another element to which the audience would expect to see more of throughout the film
My Inspiration For Our Opening Sequence
Before we started to film, we got together as a group and discussed all the possible ideas we could do. As we came to a conclusion to do a horror opening sequence, I went through a brainstorm on my own over the horror films I had seen. These included movies like; Paranormal Activity, The Grudge, The Exorcist and Obsessed (which is not a horror film, it is a thriller but I got ideas from there. The idea I retrieved from there was the concept of a woman being obsessed over another individuals partner). We all had an input until we came to a final conclusion and we made sure that it was not completely copying any other film - only ideas.
We didn't want to go too over-board with the filming otherwise it would end up looking 'cheesy.' Therefore, we decided we will enhance on the opening sequence with all the editing.
We didn't want to go too over-board with the filming otherwise it would end up looking 'cheesy.' Therefore, we decided we will enhance on the opening sequence with all the editing.
Wednesday, 6 April 2011
Death At A Funeral Opening Sequence Analysis
Death At A Funeral is an American comedy film released on April 16th 2010. Just by the title, one can easily say that it is a comedy due to the way they have shown the irony. This was very popularly appreciated by young adults and families due to its' comic elements. This film is a remake of a British film, made in 2007, with the same name.
The background music starts 25 seconds into the credits. The music seems to be quite cheerful and comic which is one of the ways the genre is conveyed. The credits and music goes on for 2 minutes and 57 seconds. This is quite long seeing as, most opening sequences last about this long. Whereas, the movie does not officially begin, making the opening sequence quite longer than average. This gives the film a relax feel - this emphasises the genre. If, for example, it were a horror, the opening sequence would be very fast paced and much more would have happened within these 2 and a half minutes.
During this time, while the credits are showing, a coffin is shown to be going somewhere. The way it is shown, looks like a navigation system but instead of a car it is a coffin. While it is finding its' destination, it forgets its' route and reverses back. This shows another element of comedy. As soon as the credits finish,immediately the scene fades into a man in a house watching and waiting for the coffin to come in. Showing the element of death instantaneously implies to the viewer that this theme will be seen more throughout the film. The mise en scene represents the situation that is occuring at the time by the costumes and props - black clothing and a coffin which illustrates the event taking place(funeral).
Update
Using all the critiques and improvement methods, we successfully finished our opening sequence with all the editing and sound done. We got told that our film opening was going on for too long and it ruined the suspense and thrill. Therefore, we cut down a vast amount and we changed the original idea of the sequences' ending. This was beneficial for us as it ended being more attention-grabbing than our initial idea. We cut it down from 7 minutes to about 2 and a half minutes which clearly showed us that we done some unnecessary shooting.
Never Back Down Opening Sequence Analysis
Never Back Down was released on March 14th 2008 starring Sean Faris, Amber Heard, Eddie Hannush, Cam Gigandet and Dijmon Hounsou. It is an American action film - thus, even before watching the film, I already have assumptions of the typical conventions that I would expect
to be seeing in the opening sequence. This includes things like; fighting, dark colours, fast pace, etc. This movie was substantially popular with teenagers and young adults. The fact that the storyline is to do with achieving your goals, this appeals to this audience most as they can all relate to it.
Although this is 10 minutes long, I will only be analysing the first 2 minutes and 23 seconds. It starts off with a fast tempo, tensed piece of soundtrack in the background - this starts to occur just before the credits. This immediately gets the audience weary (emphasising on the genre). The weather conditions are rainy, which created the mood for the audience. Rain is very commonly used in movies when a negative scene is being shown. The rain made the atmosphere very intense which enhanced the concentration of the rugby match for the audience. The fact that it started with this game (battle), made it highly conventional. All the main characters are students, making it relatable for the targeted audience - young adults/teenagers. The main 2 characters were evidently portrayed within the first 2 minutes as the commentator mentioned their names repetitively (Jake Tyler and Ryan McCarthy). These 2 characters were consistently being the centre of attention in the camera shots. There was a wide variety and a high quantity of camera angles/shots used (close-ups, extreme wide shot, over-the-shoulder shot, etc.), each lasting for a very short amount of time making it difficult to capture each one. This kept the pace moving fast - another factor which set the mood.
Tuesday, 5 April 2011
Update
The feedback we got about the improvements were very useful to hear as it informed us of what the audience would like to see. It was as if we got to see our sequence from the audiences perspective. Thus, if it was really going to be the opening sequence of a real film, everything consisting in there would be what the audience wants - meaning that they would be more likely to have a will of wanting to watch the rest of it. This would be achieving the main aim which lets us know what we done was correct.
Friday, 1 April 2011
Update
Due to the late start and finish, we ended up falling behind than other groups. We are now still slightly behind but we are working as a group and distributing work fairly so we can catch up. We are editing the filming at the moment, finishing & updating our group blogs and working on evaluation. We have managed not to fall too behind in order to be capabale to finish completely by the deadline. We also done a showcase which required us to present our opening sequence (as much as we had done so far) to the class and retrieve feedback for improvements and to tell us what we had done well. This allowed us to see what the audiences' perception was of the opening sequence. Also it allowed us to see if their response to the sequence was linked to our genre and to see if the response was appropriate for what we wanted/expected to get.
Wednesday, 16 March 2011
Update
Starting our filming was not the easiest task we have done so far in media. Getting the appropriate date and time (where it would be unproblematic for everyone in my group) was very difficult. This was due to everyones busy schedules. Once we had finally started filming and had nearly finished it, I got glandular fever. This was a major downfall for my group because I was playing the role of the main character (the girl being harassed). Due to the regular disruptions - we ended up having to rush for time. Therefore, we had no choice but to start the whole filming again with another person being the main character. We managed to make up for it very quick and finished the main filming in half the time. It ended up working for the best as it turned out better than it did the first time round. We used better camera shots and came up with new & better ideas.
Saturday, 22 January 2011
How effectively does the opening sequence from 'Children of Men' (2006) use the forms and conventions of film openings? What is your personal response as a member of the audience?
Opening sequences assist to magnetize the viewers, which would influence them to watch the rest of the movie. Not only is it there for this purpose, but it helps to establish the narrative structure, the main character(s), capture the audiences’ interests and institute the core themes. One could say it has to be the most important scene, as this is what entitles the baseline of the film in which the audience may judge their decision on whether viewing the rest of it or not. These are achieved by using certain narrative film opening conventions such as a significant pace. Certain paces of a film are typical for specific genres, for example; fast pace is very common in thriller/horror/tense movies. Therefore, the pace of the opening sequence will ultimately designate what genre the film is. ‘Children of Men’ (2006), directed by Alfonso Cuaron, was famously recognised for its cinematography which is seen vastly in the opening sequence of the film. It displays the plot of the whole film using very different conventions and it also helped to set the scene for the rest of the movie. It is important that the opening sequence enforces the audience to watch the rest of the piece, which means they must be intrigued by it.
‘Children of Men’ (COM) is set in the year 2027. It is about a frenzied world in which humans can no longer procreate. A former campaigner agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future for humans.
The film opening begins with commences in utter silence. This connects to the audience because effectively, they now engage their ears so they do not miss what will be said; eventually. After 32 seconds of this, we then see a black screen whilst only being able to hear non-diegetic sound which appears to be the news report. Given that, the only item being heard is this news broadcast, the audience will acknowledge its’ importance, thus, they will listen to it more crucially. Also taking on board that the whole movie begins with this news report shows its’ high relevance level towards the films’ plot. This builds up tension and grabs the audiences’ attention because they are involuntarily informed now that something critical is happening seeing as the situation is being illustrated through a news report. From just this little convention, which occurs first in the sequence, we can already comprehend how crucial it is to attract the audience. This would make the viewers want to carry on watching in order to find out who and what this news report(er) is. Consequently, this form works quite effectively. This convention shows that the producer of the film does not need to get all ‘fancy’ with the technology in order for it to have an impact on the audiences’ level of attention.
The scene then cuts from the black screen to a high angled shot of a cafe occupied by a substantial amount of people. They all seem to have the same facial expressions – astounded and depressed. Also they are all looking in the same direction, at the same thing. This shows the value of the item which is being stared at, entailing that it must be very crucial. Considering that a news broadcast was publicized to the audience, during the black screening, implies that the item that everyone is watching and listening to is the same as the previous one. This news broadcast enhances on what the storyline may be of this film. The use of the high-angle shot aids the audience to acknowledge the setting, which in this case is a cafe. The pace of the sequence is very slow, with only 6 cuts in the whole sequence – meaning 2 minutes and 25 seconds. For example; when Clive Owens’ character walks out the shop, instead of using a cut to get from inside the shop to the street, an establishing shot was used to follow him out through the cafe doors. The camera still does not cut through the scenes, but using the establishing shot, it circulates around Clive Owen – showing the location he is in.
Simply by viewing the opening sequence, one can easily tell what type of genre a film may be. It is important to be able to elucidate what type of genre the film will be just by watching the opening sequence. If the audience is not capable of doing so, the opening sequences’ use of forms and conventions have not worked effectively. Finding out the genre in the opening sequence helps the audience decide whether this is the type of film they want to be watching – depending on their mood. In COM the opening sequence was very patent of what type of genre the film is. It came across as an adventure/mystery/drama production. This was shown through several ways. One of the ways being; how everyone was squashed into one shop to watch a news report on TV. The question that gets raised is “what could be so important on TV which is making a vast number of people get crammed into one small location?” This increases the suspense (mystery) whilst showing an element of drama as it comes across as a very serious issue. After the coffee shop scene, we see a bomb explosion occur. This shows the element of adventure as well as drama. The adventurous constituent is illustrated through this incident, as we know that the main character will try to investigate why this situation took place.
Furthermore, this leads onto being alert of whom the main character of the film is. The opening sequence must continue to capture all the forms and conventions needed; otherwise it will not be effectual. The camera follows Clive Owens character out onto the main road. This represents who the main focus on the scene is to the audience. The camera then quickly pans across the futuristic London streets, showing pictures on the windows of the buildings. The camera does not seem to cut at all – it flows constantly without any pauses. It then follows and goes around Clive Owen to the angle of the explosion. Clive Owens’ character comes across frightened when the bomb goes off. This makes the audience question as to why the hero of the film would be scared. This would not be a typical convention of an opening sequence. On the contraire, by it not being typical, it makes the audience want to watch more of this film to investigate why the ‘hero’ was afraid. Therefore, this form of convention is resulting to be quite effective as well.
Opening sequences help to establish the core themes of this film. The bomb explosion suggests that ‘death’ would be one of the main themes seen throughout the film. This also lets the audience establish their expectations for the rest of the film. Having expectations can either result positively or it can result negatively. If the expectations of the film happen but they are not the way the audience had imagined in their mind, it can result in disappointment. This may stop them from watching the movie any further as they may assume it will carry on to be a disappointment. On the other hand, if the expectations appear in the film and they are better or different to what the audience had imagined, it can result effectively encouraging. Having expectations will influence the viewers to watch the film in order to see their imagination in action onscreen.
The mood throughout the opening sequence is very mellow and calm up until the explosion happens. The mood is emitted through various codes; one of which being the usage of colour’s. The colour of the atmosphere throughout the opening is very dull, grey, and smoky; therefore it makes the onlookers very anxious and tensed - it is not very heart-warming. This was all shown through the cinematography, which made it exceptionally vivid and added an extensive dramatic element to it. It is very common to express the mood of the film through the usage of sound tracks. However, this sequence did not exhibit any source of significant sound tracking; nevertheless the stressful mood being displayed was not affected in any way. The mood remained the way it was supposed to be through the usage of other enigma codes. The mise-en scene in the sequence was very relatable which helps the audience to visualize what is going on more clearly and allows the audience to be able to picture themselves in the scene. The streets looked just as they do now in London, except worse. They were congested, littered and everyone looked highly occupied as if they all had somewhere to go urgently. This relates to how time is now as well, which lets the viewers feel more attached to the situation. The costumes and clothing overall, all seemed to be very analogous to what we wear now. For example; the police clothes were very similar to the police uniform now. However, they seemed to be more modernized which conveys that it is set in the future but not too far ahead.
As a member of the audience it felt that the sequence continued to build up on elements which triggered the idea that something major is going to happen. Therefore, I was constantly on the edge of my seat knowing that something could happen anytime. This was then expressed through the bomb explosion which indeed did make me jump off my seat, which I believe, was the aim. Throughout the whole sequence, the codes and conventions worked effectively. They resulted in the way they were supposed to, for example; successfully creating the mood with the use of specific atmospheres and facial expressions right through the sequence. All these elements, especially the bomb explosion, obligated on me that I must see what happens next. Therefore, the aim of this opening sequence productively worked and it made me want to carry on watching. I believe the way I felt, is most likely to be the way the rest of the audience felt too.
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